The famous Christian singer Michael W Smith-Straight to the heart.

MICHAEL W SMITH with a message to you "Straight to the heart".

Michael W. Smith (born October 7, 1957) is a Grammy Award-winning American singer-songwriter, musician, recording artist, composer, and actor. He is one of the best-selling and most influential artists in contemporary Christian music, and he has achieved considerable success in the mainstream music industry as well. Smith is a three-time Grammy Award winner, and he has earned 34 Dove Awards. Over the course of his career, he has sold more than 13 million albums and recorded 29 number-one hit songs, fourteen gold albums, and five platinum albums. Smith is an American Music Award recipient; he was also named one of People magazine's "Most Beautiful People".

In 1978, Smith moved to Nashville, taking a job as a landscaper to support himself. He played with several local bands in the Nashville club scene. He also developed a problem with substance abuse.“ I really started losing touch when I moved to Nashville, around April of '78. I was smokin' marijuana, drinking, doing some other drugs; just being crazy, you know. My mom and dad knew what I was doing. But they never hassled me, they just prayed for me. And I felt convicted by God. Every time I'd wake up I knew: This isn't me. But I couldn't change myself. ”  
READING FULL POST WITH VIDEO MUSIC ON wikimusic_video site .( download songs and more ).
STRAIGHT TO THE HEART - MP3


AWESOME GOD - M W SMITH ( wikimusic_video collection )
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Watch movie online free a new film 2010 of Jackie Chan


The Spy Next Door (2010) JACKIE CHAN
Movie Genre: Action and Adventure Movies.

Former CIA spy Bob Ho (Chan) takes on his toughest assignment to date: looking after his girlfriend three kids, who have not exactly warmed to their mom beau. And when one of the youngsters accidentally downloads a top-secret formula, Bob longtime nemesis, a Russian terrorist, pays a visit to the family.

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Movie Reviews :SEVEN 2 ONE with Eng subtitle online free watching

SEVEN 2 ONE 2009 ( ENG SUBTITLE)

Chinese: Year: 2009
Director: Danny Pang Fat
Producer: Danny Pang Fat, Alvin Lam Siu-Keung
Writer: Danny Pang Fat, Pang Pak-Sing
Cast:
Elanne Kong Yeuk-Lam, William Chan Wai-Ting, Chrissie Chau Sau-Na, Jones Xu, Wylie Chiu, Pakho Chow Pak-Ho, Siu Fei, James Ho Seung-Him,...
 A largely clever and entertaining trifle featuring a bunch of barely-known idols and singers. Seven 2 One sometimes panders and director Danny Pang's overbearing music gets in the way. However, for what it is - a light urban thriller with a bunch of new faces - Seven 2 One is capable commercial stuff.

 Movie reviews at the Hong Kong Asian Film Festival, 2009 ( by Kozo )

Director Danny Pang's Seven 2 One earned some buzz prior to release - though not for entirely positive reasons. Six members of the film's young cast also appeared in Herman Yau's Split Second Murders, which was shot after but released before Seven 2 One, with Seven's producers claiming that Murders ripped off their film's ending. In another controversy, the poster for Seven 2 One took its inspiration from the 2008 Hollywood thriller Vantage Point, with the image concept constituting a direct swipe. With all these accusations of 'who copied who' flying around, does anyone remember that there's an actual movie to discuss? Hopefully they do, because Seven 2 One is a slick, if unsubstantial thriller that consistently entertains.

Seven 2 One's English language title refers to its seven separate stories, and how they ultimately converge into a single event: a convenience store robbery. After beginning, the film moves quickly to the robbery, where a masked thief demands the store's cash from the counter girl (Chrissie Chau) before getting into a fight with a loan shark (William Chan). While the counter girl and two customers (Carolyn Chan and Wylie Chiu) witness the event, the loan shark is stabbed and the thief flees.

Outside the store, various other players converge on the site. A cop (James Ho of boyband Square) arrives with a perp (Gary Chiu, also of Square) in tow, and other unidentified characters played by the rest of the idol cast show their mugs. Then it's flashback time - and it's only the first of many. Each flashback reveals one character's story, providing unseen and sometimes surprising perspective before reaching the robbery and then flashing back again, only to focus on a different character and their activities before the robbery. Repeat ad nauseum until a connected and hopefully compelling whole is revealed. It's like Rashomon, only not as good.

Actually, what Seven 2 One really resembles is Vantage Point - so it looks like ripping off the poster was more than just a coincidence. Narratively, both films use the flashback structure in the same manner, going for actual rather than subjective perspective, and using bombastic editing and music cues to initiate each flashback. The loud, intrusive music goes beyond just transitions; like many a Pang Brothers film before it, Seven 2 One delights in adding pulse-pounding soundtracks to scenes that don't require them - such as scenes with two people sitting on a sofa.

This 'super obvious music' technique ramps up the tension, but it also creates occasional giggles. The movie isn't all tense moments; some scenes are quiet and attempt feeling, and having loud tinkly piano or thundering drums only makes them seem over-the-top or jarring. Pang's choices with his music are legitimate in that they do get his audience's attention, but arranging them differently or simply economizing could have resulted in a better, more felt film.

Not that Seven 2 One is bad – it isn't, and proves to be a fun and stylish little thriller. Starting the film with the robbery creates an immediate anticipation and continuing interest, which helps make up for the occasional lulls that occur when introducing new characters, all of whom connect to one another. Let's see: Chrissie Chau's counter girl hates her lecherous boss (radio DJ Leo Chim), who in turn is attempting to swindle a bar girl (Elanne Kong) into the sack. She's living with a compulsive gambler (Pakho Chow), who owes money to William Chan's loan shark, who's being investigated by James Ho's cop. The cop has an annoying brother (Siu Fei), etc., etc. I could go on and on.

The film's multiple stories turn out to be surprisingly interconnected, stretching across a web of intertwined characters, situations and even dark themes. Nothing here is extreme; despite several characters inhabiting the seamy side of life, their stories are not exceptionally lurid or attention-grabbing. Ultimately, it’s the time-shifting narrative and structure that carries the film, with the unseen connections between characters providing momentary bursts of cleverness. It's all very light but also efficient and fast-moving, with pretty stars, the trademark Pang style, and very little moralizing to get in the way of a good time.

That is, until the ending. Once the credits roll, the film provides a 'what if' scenario showing the audience how things might have turned out if the characters had employed the Golden Rule rather than the self-serving attitudes youth are prone to. The device is well meaning but also highlights just how insubstantial the previous 80 minutes were. During the actual film, the element of choice is seldom presented, and without moments of reflection from the characters, the ending device comes off as tacked on and even pandering. By the way, a similar story device was used in Split Second Murders, so that's what that entire hullabaloo was about.

Controversy or depth aside, Seven 2 One survives on its own merits. The film looks great and moves briskly, and the actors are largely effective despite being lumped into either the leng mo ('young model') or idol category. Danny Pang has stated that one reason he made the film was simply to give new actors a chance to show their stuff. He largely succeeded; many of the actors breathe decent life into their not-very-likable characters, and hey, they're certainly easy on the eyes (except, of course, for Siu Fei). Seven 2 One is a capable, genre-friendly introduction to this next generation of supposedly promising talent. Let's cross our fingers and hope that they - and Hong Kong Cinema - can reach greater heights..
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Paris Hilton hot video ads banned ,watch collection revealed

Paris Hilton sex ads banned.
SPICY PARIS HILTON BUGGER - THE BIGGEST BUGGER EVER !( You may wait a moment to loading flash video because my blog loaded a lot of widgets at same starting times )
We will added more clips of Paris hot videos , check out my next posts with a video clip that Paris has related to Playboy.Go to this journal web CELEBRITY page.
CLICK PLAY BUTTON TO WATCH THE CLIP.


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Filmmaker most controversial over 2009 : Amateur Porn Star Killer (online free)


Reviews movies over the year 2009 , we have found 10 cool amateur films listing here  for the first class is "Amateur porn Star Killer" , this movie come back with 02 episodes
( part 1 not found -   Part 2 and 3  the final chapter ).

Amateur Porn Star Killer may not be a porn film, but it does contain a quantity of explicit sex. Although there isn't any penetration, we do see the occasional erection and a lengthy blowjob scene when Stacy is coerced into taking Shane's penis into her mouth - a really nasty scene when considering the age of the victim!

You may watch full free movie  of 2 part Amateur porn star killer by clicking to poster of related movies or get links below this post page .

AMATEUR PORN STAR KILLER  ( Movie review )

Snuff films; are they a figment of our imagination, a mere anecdotal rumour created by the anti-pornography moralists during the 1970s in an attempt to destroy the adult film industry, or are they genuinely being filmed and sold in the pornographic underground among the grimy back-streets of Western metropolis? Popular Western perception would have it that there are genuine snuff films being produced on 8mm camera - real films featuring real women being murdered and tortured in real life. If not then why would Nicholas Cage be prancing around trying to find a missing girl murdered in a considerably tame 8mm film discovered in the almost impenetrable vaults of a wealthy mansion.
"Snuff films must exist," the common Westerner would say. "After all, why have all these pervasive rumours succeeded in ensnaring people all over the globe into reading graphic stories and anecdotal evidences of supposedly genuine films featuring an authentic sexual murder if snuff films didn't exist?"

Well, let's delve a little deeper into this myth and decide for ourselves whether snuff films are the sanctimonious lies of pro-censored moralists or genuine videos featuring the most heinous of crimes man is capable of. It is widely accepted that the first recorded use of the term "snuff film" was written in the popular Ed Sander's book, The Family: The Story of Charles Manson's Dune Buggy Attack Battalion (1971). Charles Manson and his female psychopaths were responsible for the brutal murder of Sharon Tate in 1969 - a shocking murder that officially ended the 'flower power generation' and the 'all we need is love' mentality, as sung by The Beatles.

With this rumour of film reels featuring the actual murder of an unwilling victim now exposed for the gullible public to chew on, the possibility of the existence of snuff films became crystallised into the psyche of the moral bigots who wished nothing more than to impose their supposedly 'utopian' view of what society should be like onto everybody, irrespective of their protest. It was then only a matter of time before filmmakers started filming fictional accounts of the snuff movie phenomenon in an intentional attempt to shock this moral fabric of society, and they most certainly didn't disappoint. You're all familiar with the groundbreaking 1976 film, 'Snuff' - an Argentinean feature that created a forged uproar of controversy in the United Sates, thanks to the producer posing as an angry citizen by writing letters to the New York Times and hiring actors to protest against the film outside the theatres where it was shown.
In fact, I'm sure you have this previously reprehensible film carelessly stuffed in your expanding DVD collection and often pondered on what the damn fuss was all about, especially considering all the despotic conservatives who proceeded to jump on the bandwagon like moths to a flame in actually believing that the decline of society and the moral values of taste and decency were being eroded by the bleeding-hearted liberals who were desirous of promulgating perversion in the hopes of destroying the family way of life. However, this popular notion was nothing but a draconian fib spouted by the right-wing Conservative Party that unfortunately earned them the votes of the moral fraternity deemed as the backbone of society.

"Snuff" wasn't the only film to publicise the myth of snuff films. Paul Schrader's "Hardcore" (1979), Alejandro Amenabar's "Tesis" (1996), and Joel Schumacher's "8mm" (1999), have all perpetuated the myth that is the snuff film. "Cannibal Holocaust" became the perfect incentive for the British conservatives to publicly declare the legitimacy of snuff films, after supposedly seeing the 'dead woman' impaled on a wooden stake in the Amazonian rainforest. But what the Mary Whitehouse clones failed to allude to was the fact that they wanted to ban all horror films for the good of society, whipping up scares about snuff films and vulnerable children being harmed by the tide of horror flooding into Britain from abroad in the process. George Eastman chewing on a foetus in Anthropophagous was once thought to be authentic snuff by some British moralists.

"Faces of Death" was another film deemed as snuff by some conservatives, but even they couldn't see past the phoney effects of human deaths in this classic of documentaries. The fake snuff scenes in "Emanuelle in America" proved too much for one actress, who publicly expressed her distress at the scenes of abuse. Credit must be given to Joe D'Amato (R.I.P.) in producing this sickeningly realistic footage that still remains unbeatable in the annals of snuff-horror as being the most realistic. The Guinea Pig films from Japan need no discussion, other than the sheer idiocy of Charlie Sheen for believing that they were real. "Psycho: The Snuff Reels" has been the latest attempt from Japan in pelting the horror underground with a depraved piece of film dealing with the concept of snuff films. But one cannot neglect the shocking and filthy "Mu Zan E," a thoroughly depraved film from the carnal imagination of Daisuke Yamanouchi about a female reporter who stumbles upon a snuff film during her research into underground sex films. The latest film to include the synopsis of snuff films is the thoroughly twisted and mesmerising, "Amateur Porn Star Killer," by controversial filmmaker, Shane Ryan.


Amateur Porn Star Killer (2005), perhaps the most exploitive title ever given to an underground shock film, can easily be regarded as a prolonged decent into hell. It's not often I see a film that renders me to have a prolonged wash in hopes of becoming clean again, but the filth dispensed by Amateur Porn Star Killer has been the only one that has refused to wash off.
Not even a chainsaw will help clean you here, folks! This may seem like the ultimate compliment one could give a film that wallows in deprave pathology, but is the only epigram which I can grant this twisted picture. I hope this complimentary comment doesn't build your hopes up in expecting to witness a horrifying film when the day finally comes to open that innocent-looking package on your hallway floor; but if this film doesn't make your flesh crawl during the slow, degenerate abuse of the unfortunate female victim, then please seek a shrink.

The synopsis revolves around a deranged psychopath called Brandon - a sadistic thrill-killer - who entices vulnerable teenage girls into his psychotic grasp and proceeds to murder them during apprehensive sexual encounters, especially during the point of orgasm. The film that you are about to see features the murder of Brandon's third victim. Brandon himself is the cameraman for the entire encounter. From the moment that his third victim is lured into his car, and the moment of her inevitable death, Brandon never flinches from showing us - the unlucky viewer - the deranged capacity of his diabolical mentality.

From the very moment the film begins, we are the living witness to a murder committed by Brandon inside a gloomy bedroom. The camera is placed on top of a drawer, and all we see is Brandon ferociously punching a victim lying beneath the range of the camcorder. The opening credits then materialise, and the video footage of Brandon's prospective third murder follows after.

The third victim is a teenage girl called Stacy. Her pale, olive-skinned complexion and black hair evinces the authenticity of teenage girl who is exceedingly shy and innocent. Actress Michiko Jimenez, a beautiful woman whose precarious predicament coerces the viewer to genuinely fear for her inevitable demise, plays the role Stacy. She is enticed into the car during the night hours by Brandon's immaculate charms, and is eventually taken to a cheap apartment where they both proceed to have lengthy discussions about everyday things.
The atmosphere of dread begins to seep from the television screen when Brandon begins to ask Stacy what type of film she would like to be in. Her innocent and tender features may express the shyness of a typical teenage girl found on every street-corner across the Western world, but her frequent glances around the room reveals her concealed nervousness of this precarious situation. Of course, we, as the viewer, know what her final fate will be, but Stacy herself doesn't know. The suspenseful sentiment during this part of the film is utterly dreadful. It assaults you full-throttle and never wavers.

Before long, Brandon has Stacy taking off her own clothes before being implored to do poses for the camera. It is at this point in the film that Amateur Porn Star Killer sinks into an experience that is utterly unnerving, visually shocking, and viscerally sickening. Brandon may only reveal his face to the camera a few times at most, but his innocent countenance unmistakably bellies the callous depravity found within the majority of serial killers.

Think of Ted Bundy (America's most notorious serial killer) in the year 2006, and you get a good idea how evil this man is. It is at this point in the film that Stacy becomes a passive victim, seeking solace and superficial safety hidden deep inside her body as though her own unconsciousness was a refuge.

However, this unsuccessful attempt to escape this dreadful situation only encourages Brandon to abuse Stacy in any way he so desires. Unfortunately, this passivity among victims of serial killers and rapists are all too common. Once the guilt and realisation of the situation has sunken into the victim's blood, passivity seems to be the only defence left to persuade the killer that the victim is unworthy. It is also unfortunate that some killers will assimilate this passivity in a negative manner and consequently become irritated by the lack of emotional response.

Sadly, for Stacy's sake, Brandon is no exception. Once a serial killer with deviant intentions becomes irritated and annoyed by a victim's passivity, only the cathartic release of that anger can invoke pleasure felt by the killer. Unfortunately, again and again, this eruption of anger is almost always dispensed to the victim as though the victims themselves were responsible. Death, therefore, is inevitable.


Amateur Porn Star Killer is a malicious film that will refuse to be discarded from your thoughts for many, many days. Watching this film will make you feel like a rotten pervert. In fact, I'm sure there are some people out there who will regard this film as nothing but wank-jolly material for people with corrupt tendencies…such as serial killers. But although the film may be looked upon as a downright twisted picture and make one perceive it as nothing more than serial killer pornography, the film itself is too arty to be even considered as such. In truth, I think Amateur Porn Star Killer is the perfect film to show teenage girls about the dangers of trusting every man they come across.

Popular opinion would have it that monsters don't exist, that monsters are figments of our imagination, lost in stable antiquity that continuously harks back to the days of infantile fears of the dark and monster-infested nightmares that seem real. But there are real monster out there; not in the form of blood-sucking vampires, flesh-eating zombies, flesh-ripping werewolves, demonic witches, and wailing demons from the pit of hell, but in the form of real human beings - human beings that are aching to manifest their criminal fantasies into reality, fantasies that are immorally justified by their own defiled moral framework. Maybe your neighbours, that highly respected family living next door to you, are the contemporary Fred and Rose West, sexually torturing females in their cellar at night when the children are in bed; maybe that quiet guy down the end of your street is a modern John Wayne Gacy who has a basement filled with 33 decaying bodies; maybe your best friend is fresh Ted Bundy, luring young women into the forest and killing them with a crowbar. Maybe they're even filming it. Amateur Porn Star Killer is a tragic film, but it is rendered even more tragic when you consider that it could easily be real.

The similarities between Amateur Porn Star Killer and the August Underground films are obvious, but with one noticeable exception. Although both Amateur Porn Star Killer and the August Underground films have their deranged killers stalking innocent victims with a camcorder in possession, both films, however, are poles apart in the gore department. Not ounce of blood is shed in Amateur Porn Star Killer. It avoids the red matter like an evangelical Christian avoiding the Satanic Bible, but you perhaps come away from Amateur Porn Star Killer feeling more disturbed than you would with August Underground. This is not to level criticism at the makers of August Underground, who have given the viewer two grotesquely brilliant films, but to give credit to Shane Ryan in providing us with an equally disturbing film that doesn't rely on blood and guts to disturb the viewer.

The camera-held technique in Amateur Porn Star Killer is utilised to full effect in giving the viewer a realistic depiction of a snuff film. The picture is very jumpy and the gloomy texture of the picture oozes dirt and smut. If there ever happened to be a snuff film discovered by the police during a murder hunt, Amateur Porn Star Killer would be the film that it would look like.

Shane Ryan is the brain and brawn behind this film. He is the director, the serial killer in the film, and the frigging scriptwriter - although, to be fair, there isn't much of a script! This man really does have talent and he is adept at exposing it.

Amateur Porn Star Killer may not be a porn film, but it does contain a quantity of explicit sex. Although there isn't any penetration, we do see the occasional erection and a lengthy blowjob scene when Stacy is coerced into taking Shane's penis into her mouth - a really nasty scene when considering the age of the victim!

Unfortunately, at this moment in time (as of November 2006), Alter Ego Cinema is searching for a distributor to release future DVD versions of their films. Until a distributor owns up and verifies an interest in releasing DVDs of Alter Ego Cinema's film catalogue, Amateur Porn Star Killer will only be available as a screener. I was sent this as an NTSC video screener for the purpose of this review. But when the day comes of an official DVD release of Amateur Porn Star Killer, I shall revisit the film and let you know of any DVD extras that might be provided (hopefully an interview with Michiko Jimenez).

After the extremely bloody Slaughter Disc and now the thoroughly unnerving Amateur Porn Star Killer, violent pornography as snuff entertainment has officially arrived.
This film should come with a free chainsaw, as you might need it to remove the filth from your body. Hopefully, you'll film yourself doing it.

Stay sick and happy Nightmares!
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Michael Jackson new song "Another Day" found in Jan 2010

ANOTHER DAY


This clip remixed yesterday to make ease watching , we loves Michael Jackson and this new song "another day" is just for all we needed.



UNRELEASED M JACKSON SONG SURFACES
"Another Day" finds the king of Pop in a duet with Lenny Kravitz.


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